Organ repertoire
John Bladen
Updated 8th April 2011
J S Bach
| Toccata and fugue in D minor BWV 565 ¥ | 
| Prelude and fugue in G major BWV 541 | 
| Fantasia and fugue in G minor BWV 542 ¥ | 
| Prelude and fugue in A minor BWV 543 | 
| Prelude and fugue in B minor BWV 544 ¥ | 
| Prelude and fugue in C major BWV 547 | 
| Prelude and fugue in E minor BWV 548 | 
| Prelude and fugue in Eb major BWV 552 | 
| Prelude and fugue in D major BWV 532 * | 
| Passacaglia and fugue in C minor BWV 582 | 
| Toccata, adagio and fugue in C major BWV 564 | 
| Toccata in D minor BWV 538 * | 
| Fantasia in G BWV 572 | 
| Fantasia in C minor BWV 562 | 
| Fugue à la gigue BWV 577 ¥ | 
| Pastorale in F | 
| Trio sonatas ** | 
| Concerto in A minor BWV 593 (I ¥) | 
| Concerto in E flat | 
| From the Schübler chorale preludes: | 
| - Wachet auf, ruft uns die Stimme BWV 645 ¥ | 
| - Wo soll ich fliehen hin BWV 646 ¥ | 
| - Wer nur den lieben Gott lässt walten BWV 647 | 
| - Meine Seele erhebt den Herren BWV 648 | 
| - Kommst du nun BWV 650 ¥ | 
| O Mensch, bewein’ dein’ Sünde gross | 
| Valet will ich dir geben | 
| Nun freut euch, lieben Christen g’mein | 
French (including César Franck)
| Pièce Héroïque | César Franck | 
| Prelude, fugue and variation ¥ | César Franck | 
| Cantabile | César Franck | 
| Chorale No 1 in E major | César Franck | 
| Chorale No 2 in B minor | César Franck | 
| Chorale No 3 in A minor | César Franck | 
| Fugue in D minor from "Prelude and fugue Op 7" ¥ | Maurice Duruflé | 
| Final from Symphony 1 V1 V2 ¥ | Louis Vierne | 
| Impromtu from “Pièces de Fantasie” | Louis Vierne | 
| Carillon de Westminster from “Pièces de Fantasie” ** | Louis Vierne | 
| Carillon in Bb from 24 pièce | Louis Vierne | 
| Litanies | Jehan Alain | 
| Chant Héroïque (from “Neuf pièces”) | Jean Langlais | 
| Toccata in F from Symphony V ¥ | Charles-Marie Widor | 
| Allegro in G minor from Symphony VI | Charles-Marie Widor | 
| Finale in G from Symphony VI | Charles-Marie Widor | 
| Toccata in B minor ¥ | Eugene Gigout | 
| Grand choeur dialogué | Eugène Gigout | 
| Scherzo in E major from ”Dix pièces” | Eugène Gigout | 
| Toccata in G | Dubois | 
| Suite Gothique Op 25 (including Toccata in C minor ¥) | Leon Boëllmann | 
| Sortie in Eb | Lefébure-Wely | 
| Sortie in Bb ¥ | Lefébure-Wely | 
| Carillon-Sortie | Henri Mulet | 
| Fugue and toccata from “Variations sur un Noël” | Marcel Dupré | 
| Final from Sonata I Op 42 ¥ | Guilmant | 
| March on a theme by Handel | Guilmant | 
| Pavanne pour une infant défunte | Ravel | 
| Prélude in C minor Op 29 no 1 | G Pierné | 
| Pavane | Fauré | 
| Trumpet tune | Marc-Antoine Charpentier | 
German
| Toccata in D minor Op 59 no 5 | Reger | 
| Fantasie on BACH Op 46 ** | Reger | 
| Nun danket alle Gott | Karg-Elert | 
| Sonata II 1st movt | Hindemith | 
| Sonata 3 in A major | Mendelssohn | 
| Ciacona in F minor | Pachelbel | 
| Prelude in C minor from Sonata I | Josef Rheinberger | 
| Passacaglia in D minor | Buxtehude | 
| Sonata in D minor Op 30 (duet) | Gustav Merkel | 
British
| Songs of Praise Theme I | Herbert Chappell | 
| Songs of Praise Theme II “Toccata for Organ” ¥ | Robert Prizeman | 
| Alleluyas | Simon Preston | 
| Hornpipe Humoresque ¥ | Noel Rawsthorne | 
| Toccata in B minor ¥ | Percy Whitlock | 
| Crown Imperial | William Walton | 
| Prelude and fugue on a theme of Vittoria | Benjamin Britten | 
| Scherzetto | Arthur Wills | 
| Rhosymedre | Vaughan Williams | 
| Chorale prelude “Nun danket” | Kenneth Gange | 
| A trumpet minuet | Alfred Hollins | 
| Tuba tune | Norman Cocker | 
Other
| Fantasia in F minor K 608 | Mozart | 
| Finlandia | Sibelius | 
| Scherzo in G minor * | Enrico Bossi | 
| Variations on “America” * | Charles Ives | 
| Aria | Flor Peeters | 
| Sonata in C minor | Pescetti | 
| Adagio for strings | Samuel Barber | 
| Petit Prélude | Joseph Jongen | 
| Humoresque | Pietro Yon | 
| Tuba tune | C S Lang | 
To be learnt
| Tu es Petra | Henry Mulet | 
| Toccata in Bb minor from “Pièces de Fantasie” ** | Louis Vierne | 
Key to symbols
| ¥ | Indicates that the piece has been played from memory in the past, either for a public performance, or for a recording. | 
| * | Indicates that the piece has not played for some time and so may require some attention prior to performance. | 
| ** | Indicates that the piece is currently in the process of being learnt. |