Organ repertoire
John Bladen
Updated 8th April 2011
J S Bach
| Toccata and fugue in D minor BWV 565 ¥ |
| Prelude and fugue in G major BWV 541 |
| Fantasia and fugue in G minor BWV 542 ¥ |
| Prelude and fugue in A minor BWV 543 |
| Prelude and fugue in B minor BWV 544 ¥ |
| Prelude and fugue in C major BWV 547 |
| Prelude and fugue in E minor BWV 548 |
| Prelude and fugue in Eb major BWV 552 |
| Prelude and fugue in D major BWV 532 * |
| Passacaglia and fugue in C minor BWV 582 |
| Toccata, adagio and fugue in C major BWV 564 |
| Toccata in D minor BWV 538 * |
| Fantasia in G BWV 572 |
| Fantasia in C minor BWV 562 |
| Fugue à la gigue BWV 577 ¥ |
| Pastorale in F |
| Trio sonatas ** |
| Concerto in A minor BWV 593 (I ¥) |
| Concerto in E flat |
| From the Schübler chorale preludes: |
| - Wachet auf, ruft uns die Stimme BWV 645 ¥ |
| - Wo soll ich fliehen hin BWV 646 ¥ |
| - Wer nur den lieben Gott lässt walten BWV 647 |
| - Meine Seele erhebt den Herren BWV 648 |
| - Kommst du nun BWV 650 ¥ |
| O Mensch, bewein’ dein’ Sünde gross |
| Valet will ich dir geben |
| Nun freut euch, lieben Christen g’mein |
French (including César Franck)
| Pièce Héroïque | César Franck |
| Prelude, fugue and variation ¥ | César Franck |
| Cantabile | César Franck |
| Chorale No 1 in E major | César Franck |
| Chorale No 2 in B minor | César Franck |
| Chorale No 3 in A minor | César Franck |
| Fugue in D minor from "Prelude and fugue Op 7" ¥ | Maurice Duruflé |
| Final from Symphony 1 V1 V2 ¥ | Louis Vierne |
| Impromtu from “Pièces de Fantasie” | Louis Vierne |
| Carillon de Westminster from “Pièces de Fantasie” ** | Louis Vierne |
| Carillon in Bb from 24 pièce | Louis Vierne |
| Litanies | Jehan Alain |
| Chant Héroïque (from “Neuf pièces”) | Jean Langlais |
| Toccata in F from Symphony V ¥ | Charles-Marie Widor |
| Allegro in G minor from Symphony VI | Charles-Marie Widor |
| Finale in G from Symphony VI | Charles-Marie Widor |
| Toccata in B minor ¥ | Eugene Gigout |
| Grand choeur dialogué | Eugène Gigout |
| Scherzo in E major from ”Dix pièces” | Eugène Gigout |
| Toccata in G | Dubois |
| Suite Gothique Op 25 (including Toccata in C minor ¥) | Leon Boëllmann |
| Sortie in Eb | Lefébure-Wely |
| Sortie in Bb ¥ | Lefébure-Wely |
| Carillon-Sortie | Henri Mulet |
| Fugue and toccata from “Variations sur un Noël” | Marcel Dupré |
| Final from Sonata I Op 42 ¥ | Guilmant |
| March on a theme by Handel | Guilmant |
| Pavanne pour une infant défunte | Ravel |
| Prélude in C minor Op 29 no 1 | G Pierné |
| Pavane | Fauré |
| Trumpet tune | Marc-Antoine Charpentier |
German
| Toccata in D minor Op 59 no 5 | Reger |
| Fantasie on BACH Op 46 ** | Reger |
| Nun danket alle Gott | Karg-Elert |
| Sonata II 1st movt | Hindemith |
| Sonata 3 in A major | Mendelssohn |
| Ciacona in F minor | Pachelbel |
| Prelude in C minor from Sonata I | Josef Rheinberger |
| Passacaglia in D minor | Buxtehude |
| Sonata in D minor Op 30 (duet) | Gustav Merkel |
British
| Songs of Praise Theme I | Herbert Chappell |
| Songs of Praise Theme II “Toccata for Organ” ¥ | Robert Prizeman |
| Alleluyas | Simon Preston |
| Hornpipe Humoresque ¥ | Noel Rawsthorne |
| Toccata in B minor ¥ | Percy Whitlock |
| Crown Imperial | William Walton |
| Prelude and fugue on a theme of Vittoria | Benjamin Britten |
| Scherzetto | Arthur Wills |
| Rhosymedre | Vaughan Williams |
| Chorale prelude “Nun danket” | Kenneth Gange |
| A trumpet minuet | Alfred Hollins |
| Tuba tune | Norman Cocker |
Other
| Fantasia in F minor K 608 | Mozart |
| Finlandia | Sibelius |
| Scherzo in G minor * | Enrico Bossi |
| Variations on “America” * | Charles Ives |
| Aria | Flor Peeters |
| Sonata in C minor | Pescetti |
| Adagio for strings | Samuel Barber |
| Petit Prélude | Joseph Jongen |
| Humoresque | Pietro Yon |
| Tuba tune | C S Lang |
To be learnt
| Tu es Petra | Henry Mulet |
| Toccata in Bb minor from “Pièces de Fantasie” ** | Louis Vierne |
Key to symbols
| ¥ | Indicates that the piece has been played from memory in the past, either for a public performance, or for a recording. |
| * | Indicates that the piece has not played for some time and so may require some attention prior to performance. |
| ** | Indicates that the piece is currently in the process of being learnt. |